The Wizard of Oz: Directed by Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor. With Judy Garland, Frank Morgan. When a tornado rips through Kansas, Dorothy Gale and her dog, Toto, are whisked away in their house to the magical Land of Oz. They follow the Yell. The Wizard of Oz () movie YTS Chinese subtitle for The Wizard of Oz. SOUL TAKER TORRENT Ad hoc network connection: With an ad hoc connection, the person seeking for starters. Add intelligence and the file will and was mated. The following data.
Frank Morgan Professor Marvel …. Ray Bolger 'Hunk' …. Bert Lahr 'Zeke' …. Jack Haley 'Hickory' …. Billie Burke Glinda. Margaret Hamilton Miss Gulch …. Charley Grapewin Uncle Henry. Pat Walshe Nikko. Clara Blandick Auntie Em.
Terry Toto as Toto. Franz Balluck Munchkin uncredited. Josefine Balluck Munchkin uncredited. Dorothy Barrett Emerald City Manicurist uncredited. Amelia Batchelor Ozmite uncredited. Charles Becker Munchkin Mayor uncredited. Freda Betsky Munchkin uncredited.
More like this. Watch options. Storyline Edit. Did you know Edit. Trivia Many of The Wicked Witch of the West's scenes were either trimmed or deleted entirely, as Margaret Hamilton 's performance was thought to be too frightening for audiences. Goofs Dorothy smiles and tries not to laugh after she smacks the lion and he asks "Is my nose bleeding? Quotes Dorothy : How can you talk if you haven't got a brain? Crazy credits Toto is listed in the end credits as being played by Toto, when he was actually played by a dog named Terry.
As the amount of commercial time on network television gradually increased, more scenes were cut. According to film historian John Fricke, these cuts started with solely a long tracking shot of Munchkin Land after Dorothy arrives there. The rest of the film remained intact. By the s, the other excised shots included: the film's dedication in the opening credits, continuity shots of Dorothy and Toto running from the farm, establishing shots of the cyclone, the aforementioned tracking sequence in Munchkin Land, the establishing shot of the poppy field, and tiny bits and pieces of the trip to the Wicked Witch's castle.
CBS, which had shown the uncut version of the film in , and again from the films first telecast until , finally started to show it uncut again beginning in , by time-compressing it. Network airings in the s were uncut and not time-compressed; the film aired in a 2-hour, minute time period. Connections Edited into Chain Lightning Soundtracks Over the Rainbow uncredited Lyrics by E. User reviews Review. Top review. A fantasy rooted in the landscape of your childhood.
I have a theory that this movie has probably been seen by more people than any other movie. The fact that it comes to us as children is probably the reason why. Other films like 'Gone With the Wind', 'Citizen Kane', 'The Godfather', 'Star Wars', have been seen by a lot of people but in each case I can imagine people that might not have seen them.
In the case of 'The Wizard of Oz' it's hard to imagine anyone who might not have seen it at some point in their lives. Almost everyone you talk to has a memory of their first experience. The reason this movie remains the most beloved of Hollywood films even after six decades is because 'The Wizard of Oz' is unique among motion pictures in that it mirrors our longings and imaginations as children.
The movie, in front of and behind the scenes, has become movie folklore. We know the legend of Buddy Ebsen who had to drop out due to an allergic reaction to the Tin Man makeup and Margaret Hamilton whose dress caught fire and nearly had her face burned off because of the copper-based make-up.
We love stories about the problems on the set between personal feuds, sweltering costumes, partying munchkins and the costume designer who had to keep up with Judy Garland's developing bust line. There's even a spurious legend of a ghost on the set.
All of these elements make 'The Wizard of Oz' a much bigger legend than it already it, but that's okay because this is the one movie that deserves to be over-hyped. It occupies such a large part of our memories that we want to make it more than it is, to just have one more reason to make it more than a movie, we want it to be a life experience.
That experience is brought to us because we are intimately familiar with its story elements. The dreams that Dorothy sings about and the adventure that follows seem to mirror our yearnings as children. She imagines a bigger place where her problems don't linger and she is free to explore them.
She imagines a place where there isn't any trouble and people actually listen to what she has to say. She sees the rainbow as her golden gate to a better place because in her drab Kansas world, the rainbow is the only source of color that she knows. She dreams of a bigger place and imagines a world where troubles melt like lemondrops. We can relate. How many of us as kids sat in our room or in our yards and played, imagining a place to go and characters to interact with, a colorful world bigger than our small, confined worlds.
Oz is meant to represent the colorful palette of our imagination but for Dorothy it is also a place where she does some growing up. The three friends that she meets along the way, The Scarecrow, The Tin Man and The Lion are emblematic of the lessons of bravery, love and devotion and the ability to think for ourselves.
The Wicked Witch of the West certainly represents the real dangers along the way. For Dorothy there is a matronly figure, Glinda the Good Witch who intends for Dorothy to discover for herself how to solve her problems, she knows that Dorothy must grow up along the way. In a way, she seems to represent the parent that Dorothy doesn't have back in Kansas.
Her aunt and uncle love her but this was a movie made during the depression and we imagine the climate that they live in, where work means keeping the farm. For , Dorothy was the perfect character for young girls. She echoes many of the small town country girls who, in the midst of the depression, packed their suitcases and ran to Hollywood seeking fame and fortune in the movies. For them this film is a cautionary tale that they'd be better off if they just stayed home.
Judy Garland was perfect in the role, 17 at the time, but with wide-eyes and a beautiful, open face she carries that sense of wonderment of a child. Like most of us as children, her only true companion is a dog named Toto and the most frightening moment in the film is when she is nearly robbed of her best friend.
When she sings 'Over the Rainbow' we know that it's to escape an unhappy childhood she has apparently lost her parents and for Garland we identify. She began in show business as a kiddie act with her sisters and began her long movie career when she was only That she was familiar to audiences helped her in the role. That familiarity works well with her ability to project the vulnerability and melancholy that the character has to have. We have to believe that she will become frightened and that her life will be in danger because if she doesn't that we sense that the character can work her way out of the situation herself and our interest wanes.
If movies are a time capsule than 'The Wizard of Oz' wonderfully captures a brief moment of happiness in Garland's life. We know of her problems with studio execs that put her through an exhausting schedule and used drugs to get her going in the morning then put her to sleep at night. Judy Garland is perfect and at her best. The cinematography, costumes, sets and everything about the film is first-rate--even if the story, at times, diverges greatly from Frank Baum's original tale.
A film that you must see if you haven't. It might give you a headache. Here are a couple examples: "You'll find he is a whiz of a Wiz! If ever a Wiz! If ever oh ever a Wiz! I am 16, and I still love this movie. Judy Garland is wonderful as Dorothy, bringing a sense of vulnerability and sadness to the role, making Over The Rainbow more poignant than it already was.
Billie Burke as Glinda, and the Munchkins were great fun too. The wicked witch of the west scared the life out of me here and still does, and even Frank Morgan does 5 roles to great comical effect. The songs are just fabulous, and so is the cinematography and the stunning scenery. True, the film isn't completely faithful to the book, but why does it have to be? If I had one minor drawback, it would be the singing voice of the Lion, but apart from that, this movie is a must-see! Bethany Cox.
When you've got a classic film that several generations of fans eagerly look forward to seeing televised every year, what critics say doesn't really matter. Several generations of the movie going public have made their voices heard loud and clear. It doesn't even matter that not one member of the cast is still with us to occasionally promote the film.
It's reputation precedes it. What lucky accidents for two performers in the celebrated cast. She was just making more money for hi studio than anyone else in Hollywood and he wasn't going to cut Louis. Mayer in for a dime. In fact all seven of the stars, Judy Garland and her adult co-stars all got the roles they are most identified with.
Tell me another film that can claim that? Back at the turn of the last century L. Frank Baum adapted his Oz stories to the Broadway stage in Baum wrote the play and also most of the song lyrics, none of which had any staying power. The great vaudeville team of David Montgomery and Fred Stone starred on Broadway for performances.
Stone played the Scarecrow and I could see him doing it, though not quite the same as Ray Bolger, Stone played all kinds of rustics when he later went to Hollywood. Montgomery played a character name I had not heard of, in fact if you look down a cast list on the Internet Broadway Database, you'll see a ton of characters you wouldn't be familiar with unless you read all the Baum Oz stories. MGM simplified and cut away a lot to bring what nearly all moviegoers on the planet are familiar with today.
That song almost didn't make the picture. In his infinite wisdom Louis B. Mayer pronounced the number as too much for a juvenile like Judy Garland, it belonged to someone like Nelson Eddy. Director Victor Fleming insisted it be kept in and the result was an Oscar and a song that Judy Garland could never do a live performance without. Though her voice and persona changed from winsome juvenile to the greatest female singing star ever, Over The Rainbow adapted itself over the years to her aging.
Margaret Hamilton who scares the waste product out anybody as the Wicked Witch of the West. Kids even now when first seeing her have nightmares, I can speak from first hand experience there. We can't leave out traveling medicine showman and the title character Frank Morgan. To think all these people in one film got their career roles. For their time the special effects were breathtaking, from the tornado that took Dorothy Gale and her house over the rainbow to the mystical land of Oz. The camera work of Hal Rosson and the imagination of Buddy Gillespie in the MGM special effects department hold our rapt attention to this day.
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